It also boasts some of Swifts best ever lyricism for example its title track, where Swift vividly describes the wedding of an ex-lover: I sneak in and see your friends / And her snotty little family, all dressed in pastel / And she is yelling at a bridesmaid / Somewhere back inside a room / Wearing a gown shaped like a pastry. The songs are as fresh as they were when first released in 2014 with the choruses still getting embedded in your head. And a follow-up to 1989 would always have big shoes to fill but Reputation lacked the stone-cold smashers Swift has proven time and time again shes capable of. Casting aside the usual lengthy album campaigns or meticulously planned drip-feeding of singles, T-Swiz uncharacteristically announced Folklore the day before it was released. "Cold As You" highlights Swift's talent in writing beautiful lyrics about heartbreak, a key Swift signature: "You put up walls and paint them all a shade of gray / And I stood there loving you, and wished them all away / And you come away with a great little story / Of a mess of a dreamer with the nerve to adore you.". Swift closes the non-deluxe edition of "1989" with "Clean," which adheres to the pop theme but is more low-key and showcases the heartfelt, haunting songwriting she's known for: "The drought was the very worst / When the flowers that we'd grown together died of thirst / It was months and months of back and forth / You're still all over me like a wine-stained dress I can't wear anymore.". The definitive ranking of Taylor Swift's 'Folklore' songs. October 26, 2022. taylor swift albums Tier List Maker - TierLists.com taylor swift albums Press the labels to change the label text. Its a brilliantly honest moment, taken from Swifts most mature album yet. Swift, of course, got her start writing astutely observed country ballads, and these songs bolster her trademark knack for lyric-crafting with maximalist, blown-out pop production courtesy of collaborators Max Martin and Jack Antonoff. Whether it's a song about an ex or someone else who wronged her, Swift's clever, catchy "revenge tracks" have only continued to improve from here. The bridge to Fifteen includes a great, revealing line about a friends lost innocence (And Abigail gave everything/She had to a boy/Who changed his mind/And we both cried), while the playful melody of Hey Stephen captures the essence of what makes for indelible teen-pop. Songs that sum up this album include "State Of Grace," a different sound with gorgeous lyrics that are undoubtedly Swiftian; "I Knew You Were Trouble," a reflective song full of dramatic production effects and a driving beat; "All Too Well," a slow ballad reminiscing a past love with emotional lyrics and execution; and "22," an effortless pop hit. Though she was praised for her songwriting right out of the gate, what Swifts self-titled debut truly shows in hindsight is how diligently shes worked to hone her craft over the years. First released in 2008, its original release won the Grammy for Album of the Year, and thirteen years later in 2021, Fearless (Taylors Version) became the first of Swifts re-recorded albums to drop. Plus her later albums feature songs that are more interesting and creative lyrically and stylistically. Justin Vernon of Bon Iver's defeated drawl) borrows similarly spacious minor keys with ten times the heartbreak. Where Swift has re-recorded an album, we have included only the new, re-recorded version of the record in the ranking. But back to the music. 176. How often I find myself in the mood to listen to . Stuffed with 80s influence, it also saw a step up in Swifts song writing, with her sharp, pithy lyrics feeling refined and sleek, hook-laden melodies dominating the entire record. Marjorie is a tear-jerking tribute to her late grandmother and Justin Vernon-duet Evermore is a euphoric beacon of hope that feels especially poignant at the end of 2020. 1989. rep. Red. But her self-titled debut is stagnant in retrospect, its feet firmly planted into an arbitrary industry mogul's limited vision of the "next best country artist." "Champagne Problems" serves as a painful tale of a failed relationship. On Swifts second album she still kept things country, but this time the pop edge that defined later releases was more evident. Fearless in its original 2008 form was adolescent in every way: a gentle voice singing fantasies of Juliet finding her Romeo, a boy on a white horse beckoning his hardened princess. Pam Grier reflects on her most iconic roles, from Coffy to Jackie Brown. He's right "Folklore" further cements the fact that Swift is in a league all her own and cannot be placed in a stylistic box when it comes to her music. Editors Note: This article was originally published on July 6, 2021. While she had flirted with a transition from country in Red two years prior, 1989 came full throttle with heightened production from soon-to-be mainstay producer Jack Antonoff (of Fun. "So I just kept writing them.". When "Midnights" was first announced, Swift described it as "the stories of 13 sleepless nights scattered throughout my life" and invited fans to meet her at midnight the night the album dropped. Despite the pandemic, 2020 was a big year for the artist, who released two surprise albums and secured her first Album of the Year nomination since her 2015 record, 1989. Songs range from edgy and confident with "I Did Something Bad" to breathy and beautiful with "Dress," all the while playing with different musical styles and production effects. Then there are the hopeful messages embedded in the minor-keys of "marjorie," an homage to her opera-singing grandmother, and "happiness," the chorus of which captures the album's essence best of all: "There'll be happiness after me / But there was happiness because of me.". evermore - 85. evermore was Swift's ninth studio album. I'm using weekly Spotify Charts because I hate Billboard 2. Her detour is immediately apparent with a simple piano opening on "the 1," as piano chords echo a slight reverb off a guitar's strum-claps, while melancholy ballad "exile" (feat. In recent years, shes also become a music business game-changer: most notably for re-recording her first six albums in order to regain control of her masters, which has seen Swift release the Taylors Version of both Red and Fearless. But Midnights and its seven "3am" bonus tracks are still steeped in singularity, mostly due to its ultra-honest subject matter and intriguing concept parsed out with Taylor's expert execution. From Taylor Swift to Midnights, we've ranked all of the singer's studio albums from best to worst. 1,062 Likes, 2 Comments - BLKPIK IDI ( ) (@blackpink.india) on Instagram: "#TaylorSwift, BLACKPINK and #OliviaRodrigo are the only female artists ranking inside IFPI's Top 10" Songs like "Blank Space" and "Wildest Dreams" are more than deserving of their far-reaching recognizability, but not so much their long time (and only recently dethroned) standing at the top of Taylor's Spotify play stats. Midnights is simultaneously a rare treat and a return to normalcy. Her door to escapism opened for lonesome, fractured listeners everywhere, who dove headfirst into the cottagecore sound grove, and relished in Swift's unexpected pivot towards barer-boned, folk-styled songwriting with electro-adjacent undertones whispered throughout. In the song, she celebrates a level of stardom that she'd continue to exponentially build upon in the years to come: "And bring on all the pretenders / One day, we will be remembered. 20: 20. What condemns 1989's position at the lower third of this list then is the sad truth that some of the choruses rotating here sound like they could have been parsed out to much-lesser 2010s pop stars. On her first three albums, love is mostly a daydream. Rather, it recalls the key moments of a love gone awry in arresting detail "I'll get older, but your lovers stay my age" wasting not a single word in confronting a past partner many years her senior (unanimously believed to be Jake Gyllenhaal) nearly 10 years after the fact. And the majority of Lover proves her path to better things, being an airy, whipped topping "love letter to love," both for the self and for a partner. With a record thats a love letter to love itself. But reputation is much more than an extended diss track; It's also a not-so-private ceremony for a new, hush-hush love affair (that years later blossoms into a now-rumored engagement to partner Joe Alwyn). folklore is a backward glance over your shoulder clouded by a cold air exhale and it remains Taylor's greatest work to date. folklore in comparison merely flirts along the edges of pop mantras on songs like "the last great american dynasty" and the deeply affecting "mirrorball," while veering straight into indie-folk influence on "illicit affairs" and the finger-plucked "invisible string," among others. Paul Attard, Considering that Swifts previous material was almost always better when she tossed the ill-fitting country signifiers and focused on her uncanny gift for writing pop hooks, Red was a smart, if overdue, move for the singer. In short: 1989 is Taylor Swifts masterpiece. The Grammy-winning Mean is amongst Swifts most underrated songs, Sparks Fly is a toe-tapping head-banging anthem and break-up slow-burner Back to December is a karaoke classic. All in all, reputation is by far Taylor's most misunderstood work though its criticisms aren't without merit. These are songs that beckon celebration, hands raised over heads in secular worship of a 20-something's innate need to romanticize their life visions of nice dresses and sunsets, the epicenter of the world awaiting your arrival, hope that your beauty and grace will never fade. These were the de facto anthems for young listeners especially, clutching MP3 players to the chest like rosaries as we projected onto Taylor's portraits of then-mythical teen love. Its an effortless fusion that, like much of 1989, displays Swifts willingness to venture outside her comfort zone without much of a safety net, and test out an array of sonic experiments that feel both retro and of the moment. Some songs lean more country ("Mean") whereas others hint at the musical experimentation that would follow in subsequent albums ("Enchanted," "Haunted"), and, yet, the album is a mix of styles that seamlessly blend together. Many artists lucky enough to enjoy their 15 minutes of fame peak at the onset, delivering one or two tokens of pop culture product before a dwindling stream of less impressive ventures. After the runaway success of country-pop second record Fearless, for Speak Now elements of pop rock, bluegrass and soft rock were added into the mix. His contributions here are uniformly clean and efficient, but plenty of his signature production tics, even if theyre presented here in a fresh context, are beginning to feel overused. It's the product of a prolific mind being forced to slow down, reflect, and create something completely new; A memoirist moved to experiment with a stream-of-consciousness novel. Morgan Wallen One Thing at a Time (2023) 20. On earworm lead-single Anti-Hero Swift sings: Its me/Hi/Im the problem, its me, the kind of thought weve all had when lying awake trying to drift off. Less gradual was Swifts shift from political agnostic to liberal advocate. Debut. Lists Evermore: Every Taylor Swift Album, Ranked According To Reddit Evermore: Every Taylor Swift Album, Ranked According To Reddit By Meah Peers Published Dec 12, 2020 With two new albums, Evermore and Folklore, released this year, how does Taylor Swift's new work compare to her classics? Swift shines brightest on these songs, building and developing her story out of economic but evocative turns of phrase.". Where her debut guaranteed she was, at the very least, a momentary sensation, it wasn't until 2008's Fearless that the world understood the musical force that Taylor Swift could be. " Bad Blood . Miss Americana & the Heartbreak Prince, however, is her stock in trade, a richly painted narrative punctuated by cool synth washes and pep-rally chants, while The Archer is quintessential Swift: wistful, minimalist dream pop that displays her willingness to acknowledge and dismantle her own flaws, triggers, and neuroses. In an album review for Variety, critic Chris Willman wrote, "For some fans, it might take a couple of spins around the block with this very different model to become re-accustomed to how there's still the same power under the hood here. Swifts seventh ignores the bombastic electro-pop of its predecessor, and instead embraces the sleek stylings of 1989. It isnt the weight of the subject matter alone that makes Folklore feel so vitalits the exemplary caliber of her writing. And, of course, the other notable solo feat is "Our Song," marrying a whimsical fiddle with a full-circle story of a good girl's heart won through small rebellions and romantic gestures: whispering on the phone, sneaking kisses through screen doors. Although the first glimpses we heard from it (the musical theatre-style Me! and the stomping You Need to Calm Down) didnt do the record justice, listen to Lover in full and youll find moments of pure joy. And, of course, "Marjorie" is a masterful and beautiful tribute to Swift's grandmother that's packed with soulful and illustrative lyrics. She also adds that with her recent re-recording of previous albums, Swift has "unlocked something brilliant and fresh in her songwriting," by dipping her toe back into previous eras. ), and is occasionally clumsy in its comebacks. In honor of her instant-classic, record-breaking new LP. Released in 2008, "Fearless" steps away from country and edges into pop in an impressive balance of the two as Swift continues to develop a style that is uniquely hers. It has a piano introduction reminiscent of "New Year's Day," a song about an enduring love. Look, Reputation served a purpose. This is based on A. But its All Too Well thats the finest moment on Red, and possibly the greatest song Swift has ever written. Its nostalgic sound has paved the way for other artists to make pure pop albums without feeling the need to embrace whatever genres popular at the time (just look at Dua Lipas Future Nostalgia or Lordes Melodrama). What makes Evermore an essential addition to her catalog is her willingness to tell others stories with the same insight and compassion with which shes always told her own. But just because Taylor took a sharp left turn doesn't mean she was unsuccessful. But the true gems of this wildly successful 2021 re-recording (which topped every chart in sight across the globe) are undoubtedly "Love Story," which resurfaces here with heightened sensibilities and deeper convictions, along with several songs "From The Vault," most notably "Mr. These subtle parallels between songs form a sheen narrative web that hovers above the awareness of the average listener but dazzles the die-hard fan, who at this point is well accustomed to Swift's scavenger hunt antics. Teaming up with The Nationals Aaron Dessner (who worked on 11 of the 16 songs) and long-time collaborator Jack Antonoff, its a stunning collection of modern folk songs. Insider's music team revisited the album and ranked all 17 of its deluxe-edition songs. Perhaps even more impressive is Swifts mastery of song structure. And I'm telling you, it's going to be a journey. What once felt (or possibly still feels) like the end of the world is, on "Taylor's Version," also a testament to resilience we'll make it to the other side, and we'll do it again and again. Any album judgment requires not just multiple listens, but the passage of time to sit with the music. the album's opening track, and in the closing track, "New Year's Day," when we hear a stripped-down, piano-heavy ballad in which Swift sings emotion-filled lyrics. Haim collaboration No Body, No Crime is a full-blown country revenge song, while Long Story Short and Gold Rush fuse Swifts new sound with some 1984-era gloss. Swift dropped a "special very chaotic surprise" in the form of seven bonus tracks. Released as a surprise sister album to folklore, it focused on Swift's exploration of lyrical storytelling based on tales and experiences that weren't her own. It marks a shift from the retro-minded pop-rock of 1989 toward a harder, more urban aesthetic, and Swift wears the stiff, clattering beats of songs like Ready for It? like body armor. Keefe, Swifts third album, Speak Now, is problematic in precisely the same ways that its predecessors are, but there isnt a song here that isnt an absolute wonder of technical construction. Drag and drop items from the bottom and put them on your desired tier. Jonathan Keefe. Even so, there are simply too many placeholders on Lover's 18-track roster for it to fare well against her discography's worthier, meatier contenders. Other notable tracks include "Illicit Affairs," "Invisible String," and "Betty.". But clearly, Taylor is capable of much more, and her nine subsequent albums are proof. "Fearless" might just be the best opening guitar riff of her applicable albums (Taylor Swift, Speak Now, and Evermore's are less so) fringed with a summer's day twang and immediately infecting the listener with a blissful dose of euphoria, like a spoonful of syrup taken between smiling lips. I also factored in critic reviews of the albums when deciding on the final ranking. The worlds defining voice in music and pop culture: breaking whats new and whats next since 1952. You could have at least changed RED/FEARLESS to Taylors version. Working with a whos who of trendy producers and writers (Jack Antonoff, Max Martin, Ali Payami alongside indie darling Imogen Heap), she crafted a collection of glossy belters, that flit from fluffy dance-pop (Shake It Off) and sophisticated electronic-tinged bops (Blank Space, Style), to glorious indietronica (Out of the Woods, Clean). Sal Cinquemani, Midnights is far removed from the folk instrumentation of Folklore and Evermore, coming closest to mirroring 1989s more uptempo electro-pop palette. To celebrate the release of Swifts tenth album Midnights, here we take a look back on Taylor Swifts entire career and rank her ten albums in order of greatness. But Swifts most recent three albums are united through their more matured temperament and the stark intimacy of Swifts songwriting, with the comparatively scaled-back nature of her sound serving as a natural extension of this methodology. There are, of course, a handful of golden tunes (Dancing with Our Hands Tied, Call It What You Want, Delicate). Still, what some may see as folklore's central weakness is in actuality its greatest strength. Midnight's answer: she's still soaring. If Teardrops on My Guitar from Swifts debut album was her breakthrough song, it was Love Story, the ballad from its follow-up Fearless, that cemented her name in the pop history books. Anyway. As Rob Sheffield wrote for Rolling Stone, this album combined a lot of previous versions of Swift, seemingly capping off her career. Some stories are symphonic semi-pop anthems ("Enchanted," "Haunted"), while others are country ballads dressed with electric guitars, as seen in "Dear John"'s interrogation of a 32-year-old lover's sway on a still-teen girl ("Don't you think 19's too young to be played by your dark, twisted games?"). The spectacular The Last Great American Dynasty describes the life of American artist Rebekah Harkness (whose Rhode Island house Swift bought in 2013) with vivid descriptive lyrics. The imagery for the album was filled with snakes, and lyrics subtly (and at times, not so subtly) addressed their falling out. Overall, the beauty of revisiting Red is that many of us, at points high and low, have related to its caustic, dizzying array of emotion, tracing the nonlinear trajectory of falling in love, breaking your heart, and putting it back together again. The best All Taylor Swift Songs (including Midnights) rankings are on the top of the list and the worst rankings are on the bottom. She's endlessly accessible, easy to understand even in her later, more cryptic works, yet her songwriting is also a blank space (*cue pen-click*) ripe for filling in your personal memories and private associations. Song for song, the album finds Swift at a new peak in her command of language. By album three Swift was a certified Big Deal. document.getElementById("comment").setAttribute( "id", "ae642da28755683afdf2ec0fe06ed858" );document.getElementById("facec42938").setAttribute( "id", "comment" ); Save my name, email, and website in this browser for the next time I comment. The gist: In each "battle," two Taylor Swift songs (from the same album or not) are pitted against each other for your judgment. Such contrast in tone and prophecy perfectly capture the beautiful whiplash strewn throughout the album as she walks us through the stages of moving on: willing them to stay ("Treacherous"), drinking with friends to forget ("22"), ending the reconciliation cycle ("We Are Never Ever Getting Back Together"), and starting anew with the next beau ("Begin Again"). And though she does vary her phrasing in ways that attempt to mask her limited voice, Swift is still noticeably off-pitch at least once on every song on the album. If you have a hard time taking a side, you can either click "I Like Both" or "No Opinion," though the catch is that the process might take longer. When you pose the question of why Taylor Swift is among the most distinguished artists in popular music, the strength of her narrative songwriting is among the best answers. evermore. Only vault songs are included. Entertainment Weekly is a registered trademark of Meredith Corporation All Rights Reserved. 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